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THEATRE ARTS (T AR)
100. Acting for General College Students (3) The craft of acting with emphasis on body, voice and mind. Theoretical background and practical experience, including in-class performances of selected scenes. Open to non-majors only. Approved as Tier 2 - Arts. Spring 99
103. Theatre Appreciation (3) I II An introduction to the art used in producing the play: directing, acting, technical production. Open to non-majors only. Tier 2 - Arts.
111. Stagecraft (3) [Rpt./ 3 units] I II Basic principles of the scenic process: construction and use of materials, shop techniques and practices. 2R, 1L. Fee.
113. Stagecraft Crew (1) [Rpt./ 2] I II Performance support crew for scenery and properties areas in department productions. P or CR, T AR 111 for department majors.
115. Makeup (1) I II History and essentials of makeup; straight, character, and special types; effects of light on makeup; opportunity for experience in production. 2S.
116. Introduction to Stage Costume Construction (3) I II Basic principles of construction process and techniques. Use of materials for stage costumes. 2R, 3L. Fee.
118. Stage Costume Crew (1) [Rpt./ 1] I II Performance support crew for wardrobe and costuming areas for department productions. P or CR, T AR 116 for department majors.
121. Introduction to Design: Stage Costume and Scenery (3) II Basic concepts and practice of theatrical design, and presentation skills of costume and scenic design.
140B. History of the Theatre and Drama in Western Civilization (3) I Origins and development of the arts of theatre from primitive ritual to modern times; integrated study of plays, theatre architecture, dramatic styles, and theories of significant periods. T AR 104A is not prerequisite to T AR 104B. Open to non-majors.
145. Principles of Dramatic Structure (3) I Interpretation of structural elements of major dramatic forms and styles in relation to stage presentation and film; reading and analysis of representative plays. Open to majors only.
149. Acting I (3) I Fundamental techniques of acting, with emphasis on the actor's approach to characterization and the performer's relationship to all parts of the play's production. 2R, 2S. CR, T AR 111 and T AR 113, or T AR 116A and T AR 116B, and T AR 118. Open to majors only.
151. Acting II (3) II Intensive study of text analysis and the actor's approach to characterization as it pertains to modern realism. 2R, 3S. P, T AR 149; CR, T AR 145, T AR 111 and T AR 113; or T AR 116A-T AR116B, and T AR 118.
193. Internship (1-5) [Rpt./]
194. Practicum
a. Performance (1-2) [Rpt./ 4 units]
199. Independent Study (1-5) [Rpt./]
203. Voice and Movement for the Actor I (2) [Rpt./ 1] I Beginning voice and movement skills for the actor including the Linklater approach, phonetics, physical isolation and awareness exercises. 4S. P, T AR 151, audition. Open to acting majors only.
204. Voice and Movement for the Actor II (2) [Rpt./ 1] II Continued voice and movement skills for the actor. 4S. P, T AR 203, T AR 250, audition. Open to majors only.
205. Musical Theatre (2) [Rpt./ 1] I S American musical theatre: its origins, development and influences. Practical applications. 1R, 2S. Open to majors only.
220. Stage Lighting (3) I II Studies in stage lighting equipment, procedures, design techniques, and shop practices. 2R, 1L. P, T AR 120.
222. Stage Lighting Crew (1) [Rpt./ 2] Crew work on theatrical stage lighting productions. P or CR, T AR 220 for majors.
224. Technical Theatre and Graphics (3) I Instruction in drafting practices for scenic and costume design, management and technical theatre practices. P, T AR 101.
225. Scene Design I (3) II Basic principles of research, analysis and visualization for stage design. Strong emphasis on model building. 2R, 1L. P or CR, T AR 297A for department majors.
229. Costume Design I (3) I Basic principles of costume design process and aesthetics. Includes work in research, interpretation of plays and figure drawings. P, T AR 121.
238. Modern Drama Through Performance (3) II Interpretation of modern plays from Ibsen to the present; presentation of speakers in drama, with emphasis on the physical and vocal qualities that project these characters; deals with the modern masters, such as Shaw, Miller, and Williams. Tier 2 - Arts.
239. Speaking in the Arts (3) I II A studio course for presenters in the fine arts who wish to develop skills in appearing on the electronic media, stressing background, current trends, and performance techniques. (Identical with M AR 239).
250. Acting III (3) I Intensive work in expanding the versatility of the actor's instrument. Improvisation, class exercises and scene work. 2R, 2S. P, T AR 111, T AR 113, T AR 116, T AR 118, T AR 151, audition.
251. Acting IV (3) II Nonrealistic styles, including expressionism, absurdism and the contemporary avant-garde; work with select exercises in both representational and presentational modes. Analytical skills, scene performance and critique. 2R, 2S. P, T AR 203, T AR 250, audition; CR, T AR 204.
293. Internship (1-5) [Rpt./]
294. Practicum (1-3) [Rpt./]
297. Workshop
a. Theatrical Production (1-2) [Rpt./ 4 units] P, T AR 113, T AR 118.
299. Independent Study (1-5) [Rpt./]
299H. Honors Independent Study (1-2) [Rpt./] I II
300. Plays for K-12 Setting (1) II Directed readings of one-acts, full-length plays, musicals and other dramatic material suitable for elementary, middle, and high school study and production.
305. Voice and Movement for the Actor III (2) [Rpt./ 1] I Intermediate voice and movement skills for the actor including standard stage speech and period manners and movement; emphasis on Shakespearean style. 4S. P, T AR 204, T AR 251, audition. Open to majors only.
306. Voice and Movement for the Actor IV (2) II Continued intermediate voice and movement skills for the actor including individualized attention to special voice problems and period manners and movement. Emphasis on Commedia dell'arte, Moliere and English Restoration styles. 4S. P, T AR 305. Open to majors only.
319. Sound for the Theatre (3) I Basic technical and aesthetic principles of theatrical sound production. 2R, 2S. Fee.
336. Introduction to Shakespeare through Performance (3) I Understanding Shakespeare's plays through performance. Performance-oriented analysis compels a thorough comprehension of the ideas, emotions, attitudes, and intent of the plays being studied. Tier 2 - Arts.
338T. Theatre Arts (3) II Carries credit in Education Only. (Identical with TTE 338T, which is home).
340B. History of the Theatre (3-3) I II Origins and development of the arts of theatre from primitive ritual to modern times; integrated study of plays, theatre architecture, dramatic styles, and theories of significant periods. Writing-Emphasis Course*. P, T AR 145. Open to majors only.
367. English Phonetics (3) I Scientific study of the sounds of speech; emphasis on laws and principles determining articulatory features, dialect variation, sound change, and sound as communication context.
391. Preceptorship (2) [Rpt./]
393. Internship (1-3) [Rpt./]
394. Practicum (1-3) [Rpt./]
396H. Honors Proseminar (3) II
397. Workshop
a. Writing and the Arts (3) I II P, ENGL 101, ENGL 102.
399. Independent Study (1-3) [Rpt./] I II
399H. Honors Independent Study (1-3) [Rpt./]
401. Advanced Construction Techniques (3) [Rpt./2] I Advanced study and practice in fabrication techniques for theatrical designers and technicians. Emphasis on a wide range of materials and skills found in theatrical construction. Includes OSHA compliance, respirator training, and safety. P, T AR 111, T AR 116. Fee. May be convened with T AR 501.
402. Combat for the Stage (1) [Rpt./ 1] I II Basic study in the execution of staged combat, training in the use of theatrical weapons and hand-to-hand combat required in playscripts. Extensive physical training as well as work in relaxation and focus. Open to majors only. May be convened with T AR 502.
403. Musical Theatre II (3) I Intensive text and score analysis in relation to the process of characterization for the actor, singer, dancer in musical theatre. Individual and group performance. Audition materials and techniques for a professional career in theatre. 2L, 2S. P, T AR 205, audition. Open to majors only. May be convened with T AR 503.
404. Musical Theatre III (3) II Intensive scene study and exploration of the major historical styles and genres of the American musical theatre. 2R, 2S. P, T AR 403, audition. Open to majors only. May be convened with T AR 504.
405. Theatrical Engineering and Management (3) II Advanced studies in technical theatre, theatrical engineering, structures and motion-control systems for the stage. P, T AR 111. May be convened with T AR 505. Add repeatability: [Rpt./2]. Effective Spring 1999.
406. Secondary School Theatre Methods (3) I Secondary drama curriculum and methodology. P, TTE 300, ED P 310, T AR 300, T AR 410/510; CR, T AR 495/595. May be convened with T AR 506.
410. Methods of Teaching Creative Drama (3) I Principles and procedures of improvisation, role-playing, creative playwriting techniques, and program development in creative dramatics applicable to the elementary and secondary school levels. P, 12 units of theatre arts and education. May be convened with T AR 510.
414. Advanced Makeup (2) [Rpt./ 2] I II History and practical application of theatrical make-up. Design and construct such items as masks, prosthetic pieces, wigs and beards. P, T AR 115. May be convened with T AR 514. Delete course. Effective Spring 1999.
415. Advanced Scenic Drafting (3) [Rpt./2] I Advanced mechanical drawing for the theatre. Includes computer-aided drafting instruction. Fee. P, T AR 224. May be convened with T AR 515.
416. Advanced Rendering (3) [Rpt./ 3] II Advanced practical color theory in pigment and illustration, rendering mediums and techniques. P, T AR 224.
418. Digital Imaging for the Theatre (3) I Intensive studio work on Macintosh-based graphics programs for theatrical designers. P, T AR 224. May be convened with T AR 518.
419. Sound Design (3) [Rpt./2] II Advanced study in theatrical sound, production and design. P, T AR 319. May be convened with T AR 519.
420. Advanced Lighting Design (3) II Special problems, practice and trends in designed light for theatrical productions. P, T AR 220. Fee. May be convened with T AR 520.
423. Scene Painting I (3) I Techniques and methods of scenic painting. Fee. May be convened with T AR 523.
425. Costume and Scenic Design II (3) [Rpt./2] II Advanced instruction and practice in theatrical costume and scenic design with an emphasis on rendering. P, T AR 225, T AR 229. May be convened with T AR 525.
427. Advanced Stage Costume Construction I (3) [Rpt./ 1] II Advanced techniques in costume construction, fabric technology and pattern drafting. P, T AR 116, T AR 224. Fee. May be convened with T AR 527.
428. Advanced Stage Costume Construction II (3) [Rpt./ 1] I Advanced techniques in construction of stage costumes for historic periods. P, T AR 116. Fee. May be convened with T AR 528.
430. Stage Management (3) I Principles and techniques of stage management, practical applications, problems and analysis of stage managing. P, T AR 111, T AR 151. May be convened with T AR 530.
431. Audience Development (3) I Publicity, press releases, sales, advertising, display techniques, subscription procedures. P, 12 units of theatre arts or related arts field. May be convened with T AR 531.
432. Theatre Management (3) II Amateur, educational and professional theatre organization and management; theatrical contracts, professional unions and representative organizations. P, 12 units of theatre arts or related arts field. May be convened with T AR 532.
440. History of the Modern Theatre (3) I II Major movements, plays, and theories in theatrical art from 1915 to the present. P, T AR 145. Open to majors only.
442. Advanced Stage Lighting II (3) I An advanced study of lighting design; theoretical (light plots) and practical (light lab) projects. P, T AR 420 or T AR 520. May be convened with T AR 542.
445. Dramaturgy (3) I II The varied roles of the production dramaturg: script analysis, rehearsal process, research, criticism, outreach, interpretation. Major project and short papers. P, for majors-1 course in theatre history or criticism, for others-instructor consent. May be convened with T AR 545.
448B. Period Styles (3-3) I II Chronological survey of the history of architecture, costume, decorative arts and furniture as it applies to theatre production. May be convened with T AR 548A-548B.
449. Acting V (3) I Intensive study of classical acting styles with emphasis on Shakespeare. Individual and group performance. 2R, 2S. P, T AR 251, audition. May be convened with T AR 549.
451. Acting VI (3) II Intensive study of classical acting styles with emphasis on Commedia dell'arte, Moliere and English Restoration. Individual and group performance. 2R, 2S. P, T AR 305, T AR 449, audition. Fee. May be convened with T AR 551.
452. Acting VII (3) [Rpt./ 1] I Audition material, techniques and research into problems of a professional career in the theatre, television, motion pictures and related fields. 2R, 2S. P, T AR 305, T AR 449, audition. May be convened with T AR 552.
453. Acting VIII (3) Advanced stage combat. Intensive scene study incorporating the techniques of stage combat. Survey and review of major acting theories with emphasis on integrating stage combat techniques. Students may have an opportunity to test for national recognition by the Society of American Fight Directors as an actor/combatant. 2R, 2S. P, T AR 402, audition. May be convened with T AR 553.
455. Directing I (3) I Basic techniques of stage directing including play analysis, director-actor communication and technical problems of movement, composition, picturization and blocking. 2R, 2S. P, consent of instructor, open to majors only. May be convened with T AR 555.
456. Directing II (3) II Techniques of stage direction with the study of factors leading to a completed production; special attention given to director-designer communication and the production process. Direction of one-act plays. 2R, 2S. P, T AR 455. May be convened with T AR 556.
460B. Writing for Stage and Screen (3-3) I II Preparation and analysis of short scripts for stage and motion pictures. Writing-Emphasis Course* for cinema option (General Fine Arts Studies Major). P, recommended senior status only. May be convened with T AR 560A-560B.
461. Artist Collaboration (2) [Rpt./ 2] I The development and communication of a visual idea for performance art; exploring all mediums of visual and aural communication. May be convened with T AR 561.
462. Collaborative Play Development (3) [Rpt./ 1] II Explores collaborative approaches to the development of theatrical performance through group improvisation, writing exercises, and the shaping of a performance project to be shown publicly. P, enrollment by audition only. (Identical with DNC 462). May be convened with T AR 562.
468. Dialects in Performance (3) I II Application of suitable phonetic theory toward a systems approach to acquiring dialects for performance in stage, television and radio presentations. 1R, 4S. P, ability to do close transcription of I.P.A. Phonetic Alphabet. May be convened with T AR 568. Delete course. Effective Spring 1999.
475. Screen Acting Techniques (3) II Principles and techniques of various performance methods involved in acting for television and motion pictures; basic problems faced by the professional actor seeking employment in these media; on camera experience with directed exercises and dramatic scenes. 2R, 3L. P, T AR 151, audition. May be convened with T AR 575.
493. Internship (1-3) [Rpt./] I II
494. Practicum (1-3) [Rpt./] I II
495. Colloquium
a. Teaching Methods for Dance (3) I (Identical with DNC 495A, which is home). May be convened with T AR 595A.
497. Workshop
a. Technical Production (1-3) [Rpt./ 20 units] P, consent of instructor. May be convened with T AR 597A.
b. Costume Production (1-3) [Rpt./ 20 units] P, consent of instructor. May be convened with T AR 597B.
c. Lighting Production (1-3) [Rpt./ 20 units] P, consent of instructor. May be convened with T AR 597C.
d. Sound Production (1-3) [Rpt./ 20 units] P, consent of instructor. May be convened with T AR 597D.
e. Scenic Production (1-3) [Rpt./ 20 units] P, consent of instructor. May be convened with T AR 597E.
f. Performance (1-3) [Rpt./ 20 units]
m. Management Workshop (1-3) [Rpt./ 20 units] I II P, consent of instructor. May be convened with T AR 597M.
498. Senior Capstone (1-3) I II
498H. Honors Thesis (3) [Rpt./ 2] I II
499. Independent Study (1-5) [Rpt./]
499H. Honors Independent Study (3) [Rpt./] I II
*Writing-Emphasis Courses. P, satisfaction of the upper-division writing-proficiency requirement (see "Writing-Emphasis Courses" in the Academic Policies and Graduation Requirements section of this manual).
501. Advanced Construction Techniques (3) [Rpt./2] I For a description of course topics see T AR 401. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 401.
502. Combat for the Stage (1) [Rpt./ 1] I II For a description of course topics see T AR 402. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 402.
503. Musical Theatre II (3) I For a description of course topics see T AR 403. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 403.
504. Musical Theatre III (3) II For a description of course topics see T AR 404. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 404.
505. Theatrical Engineering and Management (3) II For a description of course topics see T AR 405. Graduate-level requirements include in-depth class presentations. May be convened with T AR 405. Add repeatability: [Rpt./2]. Effective Spring 1999.
506. Secondary School Theatre Methods (3) I For a description of course topics see T AR 406. Graduate-level requirements include additional text and/or book reviews. May be convened with T AR 406.
510. Methods of Teaching Creative Drama (3) I For a description of course topics see T AR 410. Graduate-level requirements include an additional creative and/or research paper. May be convened with T AR 410.
514. Advanced Makeup (2) [Rpt./ 2] I II For a description of course topics see T AR 414. Graduate-level requirements include an additional creative and/or research paper. May be convened with T AR 414. Delete course. Effective Spring 1999.
515. Advanced Scenic Drafting (3) [Rpt./2] I For a description of course topics see T AR 415. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 415.
516. Advanced Rendering (3) [Rpt./ 3] II For a description of course topics see T AR 416. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 416.
518. Digital Imaging for the Theatre (3) I For a description of course topics see T AR 418. Graduate-level requirements include more complex designs of multiple views and lighting situations. May be convened with T AR 418.
519. Sound Design (3) [Rpt./2] II For a description of course topics see T AR 419. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 419.
520. Advanced Lighting Design (3) II For a description of course topics see T AR 420. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 420.
523. Scene Painting I (3) I For a description of course topics see T AR 423. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 423.
525. Costume and Scenic Design II (3) [Rpt./2] II For a description of course topics see T AR 425. Graduate-level requirements include more complex projects. May be convened with T AR 425.
527. Advanced Stage Costume Construction I (3) [Rpt./ 1] II For a description of course topics see T AR 427. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 427.
528. Advanced Stage Costume Construction II (3) [Rpt./ 1] I For a description of course topics see T AR 428. Graduate-level requirements include additional projects. May be convened with T AR 428.
530. Stage Management (3) I For a description of course topics see T AR 430. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 430.
531. Audience Development (3) I For a description of course topics see T AR 431. Graduate-level requirements include an in-depth research paper or project. May be convened with T AR 431.
532. Theatre Management (3) II For a description of course topics see T AR 432. Graduate-level requirements include an in-depth research paper or project. May be convened with T AR 432.
541. Scenography (3) I The integration of scenery, costume, make-up, light and sound into a total production design.
542. Advanced Stage Lighting II (3) I For a description of course topics see T AR 442. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 442.
545. Dramaturgy (3) I II For a description of course topics see T AR 445. Graduate-level requirements include an in-depth research paper, more extensive in-class contribution. May be convened with T AR 445.
546. Careers in Dance (3) II (Identical with DNC 546, which is home).
548B. Period Styles (3) I For a description of course topics see T AR 448A-448B. Graduate-level requirements include additional research papers and an oral presentation. May be convened with T AR 448A-448B.
549. Acting V (3) I For a description of course topics see T AR 449. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 449.
550. Literary Resources for Choreography (3) [Rpt./ 1] II (Identical with DNC 550, which is home).
551. Acting VI (3) II For a description of course topics see T AR 451. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 451.
552. Acting VII (3) [Rpt./ 1] I For a description of course topics see T AR 452. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 452.
553. Acting VIII (3) For a description of course topics see T AR 453. Graduate-level requirements include an additional performance and/or a research project. May be convened with T AR 453.
555. Directing I (3) I For a description of course topics see T AR 455. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 455.
556. Directing II (3) II For a description of course topics see T AR 456. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 456.
560B. Writing for Stage and Screen (3) I For a description of course topics see T AR 460A-460B. Graduate-level requirements include the preparation of full-length scripts for stage and motion pictures. May be convened with T AR 460A-460B.
561. Artist Collaboration (2) [Rpt./ 2] II For a description of course topics see T AR 461. Graduate-level requirements include an additional creative and/or research project. May be convened with T AR 461.
562. Collaborative Play Development (3) II For a description of course topics see T AR 462. Graduate-level requirements include serving as a performer or facilitator (depending on the audition results) and will also be assigned to documenting rehearsal and performance. (Identical with DNC 562). May be convened with T AR 462.
568. Dialects in Performance (3) I II For a description of course topics see T AR 468. Graduate-level requirements include a close transcription of a selected dialect or dialects from oral presentation and a suitable analysis of the articulatory features. May be convened with T AR 468. Delete course. Effective Spring 1999.
575. Screen Acting Techniques (3) II For a description of course topics see T AR 475. Graduate-level requirements include an additional performance and/or research project. May be convened with T AR 475.
580. Graduation Production Study (1-3) [Rpt./ 9 units] I Advanced graduate seminar and studio to examine the production process for designers, directors, dramaturgs and technicians.
591. Preceptorship (2-4) [Rpt./]
593. Internship (1-3) [Rpt./]
594. Practicum (1-3) [Rpt./]
595. Colloquium
a. Teaching Methods for Dance (3) I (Identical with DNC 595A, which is home). May be convened with T AR 495A.
597. Workshop
a. Technical Production (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497A. May be convened with T AR 497A.
b. Costume Production (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497B. May be convened with T AR 497B.
c. Lighting Production (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497C. May be convened with T AR 497C.
d. Sound Production (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497D. May be convened with T AR 497D.
e. Scenic Production (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497E. May be convened with T AR 497E.
f. Performance (1-3) [Rpt./ 20 units] For a description of course topics see T AR 497F. May be convened with T AR 497F.
m. Workshop Management (1-3) [Rpt./ 20 units] I II For a description of course topics see T AR 497M. May be convened with T AR 497M.
599. Independent Study (1-5) [Rpt./]
600. Introduction to Graduate Study of Drama (3) I Methods and materials for research in theatre and drama; introduction to the bibliography of these fields; organization and form of thesis.
605. Advanced Voice and Movement for the Actor I (3) [Rpt./ 1] I Advanced study and exercise in voice and movement for the actor: relaxation, breathing, physical and vocal freedom, resonance, articulation and improvisation including the Linklater Approach. P.A., and Neutral Mask. 6S. P, audition.
606. Advanced Voice and Movement for the Actor II (3) [Rpt./ 1] II Continued advanced study and exercise in voice and movement for the actor: standard stage speech, stage dialects, period customs, manners and movement. 6S. P, audition.
636. Shakespearean Production (3) I Advanced readings and discussion in theory and criticism, analysis of filmed and video Shakespeare, and directorial approaches to Shakespeare production in performance history.
642. Advanced Studies in Theatre History (3) [Rpt./ 1] I II Concentrated study in theatre history, with major emphasis on the physical theatre, standard scholarly works, and source materials.
644. American Theatre and Drama (3) II Studies in the American theatre and drama. Directed and individual projects will be assigned.
646. Theories of the Theatre (3) II Concentrated study of select topics in dramatic and performance theory, with special emphasis on modern and contemporary eras. Delete course. Effective Spring 1999.
650. Experimental Theatre I (3) I Post-Stanislavsky experimental theatre techniques and theories of the first half of the twentieth century. Rehearsal and performance of select projects. Delete course. Effective Spring 1999.
655. Advanced Directing I (3) I Techniques of stage directing, including play analysis, director-actor communication, director-designer communication, blocking, movement, composition; use of directorial style and the adaptation of directorial philosophies. 2R, 2S. Delete course. Effective Spring 1999.
656. Advanced Directing II (3) II Techniques of analyzing and staging classical texts for a contemporary audience; use of directorial style and the adaptation of directorial philosophies with an emphasis on staging the plays of Shakespeare. 2R, 2S. P, T AR 449, T AR 655. Delete course. Effective Spring 1999.
693. Internship (1-6) [Rpt./]
694. Practicum (1-3) [Rpt./]
696. Seminar
a. Contemporary Trends (1-3) [Rpt./ 6 units] I II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area.
b. Special Topics in Acting (1-3) [Rpt./ 6 units] I II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area.
c. Special Topics in Directing (1-3) [Rpt./ 6 units] I II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area. Delete course. Effective Spring 1999.
d. Musical Theater Production (1-3) [Rpt./ 6 units] I II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area. Delete course. Effective Spring 1999.
e. Special Topics Playwriting (3) [Rpt./ 1] Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area. P, consent of instructor. Delete course. Effective Spring 1999.
h. TPC Stage Costume Construction (1-3) [Rpt./ 6 units] I Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area. Delete course. Effective Spring 1999.
i. Period Design Styles (1-3) [Rpt./ 6 units] II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area.
l. Special Topics in Costume Design (2-3) [Rpt./ 6 units] I II Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area. Delete course. Effective Spring 1999.
m. Special Topics in Design (2) [Rpt./ 2] I P, T AR 401 or T AR 501; Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area.
t. Special Topics in Theatre Education (1-3) [Rpt./6 units] Students may earn a maximum of 9 units in T AR 696 with a maximum of 6 units in any area.
699. Independent Study (1-5) [Rpt./]
900. Research (1-5) [Rpt./]
909. Master's Report (1-3) [Rpt./]
910. Thesis (2-4) [Rpt./]
920. Dissertation (1-9) [Rpt./]
930. Supplementary Registration (1-9) [Rpt./]