How to read course descriptions
ART (ART)
101. Drawing (3) Visual perception and the principles of composition presented through various drawing problems and materials. 6S. Fee.
102. Color and Design (3) Elements and principles of two-dimensional composition, with emphasis on color mixing, interaction and control. 6S. Fee.
103. Vision, Voice, and Ideology (3) An overview of current visual studio practices and issues manifest in contemporary art forms (2-D, 3-D, and time-based media). Studio projects assigned relate to lecture topics and readings.
104. Three-Dimensional Design (3) I II Study of volume, mass, and space relationships through modeling, casting, carving, and construction.
205. Figure Drawing (3) I II Drawing from the model and other subjects to develop pictorial and perceptual skills. 6S. P, ART 101. Fee.
223. New Genre I (3) I II In-class, collaborative projects combine video with creative writing, performance art and audio experiments.
241. Beginning Photography (3) [Rpt./ 2] I II Familiarization with basic photographic processes and aesthetics. 2S, 2R. Fee. Field trip. (Identical with M AR 241).
250. Relief Printmaking (3) I II Introductory course in the fundamental techniques and aesthetics of relief printmaking. 6S. P, ART 101, ART 102. Fee.
251. Intaglio (3) I II Introductory course in the fundamental techniques and aesthetics of intaglio printmaking with emphasis on etching. 6S. P, ART 101, ART 102, or consent of department. Fee.
253. Alternative Methods in Printmaking I (3) I II Introductory course in the nontraditional approaches to printmaking. Monotype, industrial techniques, and handmade paper. 6S. P, ART 101, ART 102, or consent of department. Fee.
255. Lithography I (3) I II Introductory course in the fundamental techniques and aesthetics of black and white, and color lithography. Stone and metal plate processes are covered. 6S. P, ART 101, ART 102, or consent of department. Fee.
260. Beginning Illustrated Anatomy (3-4) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, portfolio. Fee.
261. Computer Graphics (3) I II Integration of visual design principles with 2-D computer graphic applications. 2L, 2S. P, ART 265 or equivalent. Fee.
265. Beginning Graphic Design (3) I II Introductory study of principles, tools, and techniques of advertising layout. 6S. P, ART 101, ART 102. Fee.
266. Beginning Illustration (3) I II Exploration of techniques, styles and media for illustration. 6S. P, ART 102, ART 205, ART 265. Fee.
273. Beginning Art Practices in Ceramics (3) I II Introduction to clay as a fine art medium with main emphasis on historical and contemporary ceramics and art as sources of inspiration. Basic process of hand building, surface treatments, kiln firing, and wheel-throwing basics. Critiques, readings, lectures, tests on ceramic terminology and safety. Some writing required. Sketchbook, textbook. 2R, 4S. P, ART 101, ART 104 or consent of ceramic faculty. Fee.
276. Beginning Fibers (3) I II Structural development of fibers into woven forms, using the frame loom; fiber as a fine arts medium. 6S.
280. Painting I (3) I II Elementary course in the methods and techniques of painting with oils and/or acrylics. 6S. P, ART 101, ART 102, ART 205. Fee.
285. Watercolor Painting I (3) I II Introductory course in watercolor painting exploring basic materials and techniques. 6S. P, ART 101, ART 102. Field trip.
287. Beginning Sculpture (3) I II Introduction to fundamentals of sculpture process through carving, fabrication and casting, to develop personal approaches to dimensional composition. 6S. P, ART 104. Fee.
289. Beginning Modeling Emphasizing the Figure (3) I II Beginning modeling techniques in clay emphasizing the figure. Scale, composition, gesture, surface and anatomical structure will be studied to develop creative solutions. P, ART 104. Fee.
299. Independent Study (3) [Rpt./]
299H. Honors Independent Study (3) [Rpt./]
301. Drawing: Non-Figurative Approach (3) I II GRD Principles of visual and personal language, expanding the meaning of drawing, drawing materials, methods, and approaches. P, ART 305.
305. Figure Drawing II (3) [Rpt./ 2] I II Intermediate course in drawing problems using the model. P, ART 205. Fee.
312. Video Art in America (3) II (Identical with M AR 312, which is home).
322. New Genre Studio and Therapy (3) II Exploration of a range of contemporary art practice and theory. Projects in a variety of media including performance, installation, and in-class video work.
329. Art History of the Cinema (3) I (Identical with CLAS 329, which is home).
340. Photography Since 1950 (3) I Slide presentations and discussions of major photographers since 1950. Course number changed from ART 342 to ART 340. Change course description to: This course examines photographic representation and imagemakers as well as the larger cultural implications of images in the media and popular culture since 1950. Spring 99
341A. Intermediate Photography (3) I II Principles and processes of photography. Introduction for artists to the principles and nature of black-and-white documentary photography. Principles and processes of photography. Creating untrue narratives, students are challenged to deconstruct the familiar photo essay and create new ways of telling stories. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fee.
341B. Intermediate Photography (3) I II Principles and processes of photography. Introduction for artists to the principles and nature of black-and-white documentary photography P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fee.
341C. Intermediate Photography (3) I II Principles and processes of photography. Introduction to principles of synchronized color slide-audio tape production for artists. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fee.
341D. Intermediate Photography (3) Principles and processes of photography. Methods to alter the meaning and surface of the photograph. Painting, sculpture, and any other forms that might alter, disfigure or reinvent the concept of photo. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fee.
341E. Intermediate Photography: the Self Portrait (3) I II Explores a variety of approaches and modes of the photographic self portrait as an expressive process. P, acceptance of portfolio.
342. Photography Since 1950 (3) I Slide presentations and discussions of major photographers since 1950. Course number changed from ART 342 to ART 340. Spring 99
343A. Photographic Techniques (3) I Fundamentals of exposure and development control, print control, studio and portrait lighting, slide copying and view camera operation. P, ART 241. ART 343A is not prerequisite to ART 343B. Fee.
343B. Photographic Techniques (3) II Manipulation and extension of boundaries of traditional photography using polarization, appropriation, montage, toning and bleaching. P, ART 241. ART 343A is not prerequisite to ART 343B. Fee.
344. Digital Photography (3) [Rpt./ 2] I II Explores concepts, theories, ethics, credibility, and practice of electronic digital imaging and its role in the evolution of a body of contemporary photographic inquiry. P, 9 units upper-division photography.
345. Photographic Processes (3) II S Mural and photo installation methods using a combined media methodology. P, ART 341, acceptance of portfolio. Fee.
346. Color Photography (3) [Rpt./ 2] I II Exploring conceptual and practical aspects of color picture-making with an emphasis on darkroom skills and the development of personal imagery. P, acceptance of portfolio. Fee.
349. Intermediate Artists' Video (3) I Students will produce individual projects using video as a creative, self-expressive tool. The class will take an exploratory approach to experimental, fictional and documentary genres. P, M AR 200, M AR 314, acceptance of portfolio. (Identical with M AR 349).
350. Relief Printmaking II (3) I II Intermediate course in the techniques and aesthetics of relief printmaking. Continuation of ART 250. P, ART 250. Fee.
351. Intaglio II (3) I II Intermediate course in techniques and aesthetics of intaglio printmaking. Continuation of ART 251. P, ART 251. Fee.
353. Alternative Methods in Printmaking II (3) I II Intermediate course in the nontraditional approaches to printmaking. Continuation of ART 253. P, ART 253. Fee.
355. Lithography II (3) I II Intermediate course in stone and metal plate lithography. Continuation of 255. P, ART 255. Fee.
356. Intermediate Printmaking (3) I II Intermediate course in printmaking with emphasis on format aesthetics and personal expression. P, ART 253 or ART 255; ART 250, ART 251. Fee.
360. Intermediate Illustrated Anatomy (3) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper division status and acceptance of portfolio. Fee.
361. Computer Graphics II (3) I II Intermediate level technology applied to graphic design, illustration, as well as other aspects of visual communication. 2L, 2S. P, ART 261 or equivalent, acceptance of portfolio. Fee.
363. Typography (3) I II GRD The study of letterforms and their appropriate and effective use in visual communications from a historic as well as from a contemporary perspective. P, ART 265, acceptance of portfolio. Fee.
364. Production Problems in Graphic Design (3) [Rpt./ 1] I II Preparation of visual material for reproduction by various printing processes. P, ART 265, ART 266, acceptance of portfolio. Fee.
365. Intermediate Graphic Design (3) [Rpt./ 1] I II Further exploration of design as a communications tool. Solutions to realistic promotional programs are executed from rough to comprehensive stage. P, ART 102, ART 205, ART 265, acceptance of portfolio. Fee.
366. Rendering Techniques (3) [Rpt./ 1] I Drawing and rendering techniques with various media in the creation of editorial and advertising illustration. P, ART 265, ART 266, acceptance of portfolio. Fee.
367. Advertising Illustration (3) [Rpt./ 1] II P, ART 266, ART 265, acceptance of portfolio. Fee.
373A. Art Practices in Handbuilding (3) [Rpt./ 2] I II Continuation of clay as a fine art medium with major emphasis on contemporary ceramics and art as sources of inspiration and on in-depth development of handbuilding, surface treatment, and kiln firing techniques, with minor emphasis on wheel throwing and historical ceramics; studio problems in clay and glaze formulation; critiques, readings, lectures, and tests on ceramic terminology, technology, and safety; some writing required. Sketchbook. Textbook. 2R, 4S. P, ART 273 or consent of ceramic faculty. Fee.
373B. Art Practices in Wheel Throwing (3) [Rpt./ 2] I II Continuation of clay as a fine art medium with major emphasis on contemporary ceramics and art as sources of inspiration and on in-depth development of handbuilding, surface treatment, and kiln firing techniques, with minor emphasis on wheel throwing and historical ceramics; studio problems in clay and glaze formulation; critiques, readings, lectures, and tests on ceramic terminology, technology, and safety; some writing required. Sketchbook. Textbook. 2R, 4S. P, ART 273 or consent of ceramic faculty. Fee. Change course description, structure, and prerequisites to: Continuation of clay as a fine art medium with major emphasis on contemporary ceramics and art as sources of inspiration and on in-depth development of wheelthrowing, surface treatment, and kiln firing techniques with minor emphasis on handbuilding and historical ceramics; studio problems in clay and glaze formulation; critiques; readings, lectures, and tests on ceramic terminology, technology and safety; some writing required. Sketchbook. Textbook. 3R, 4S. Fee. P, ART 273 or permission of ceramic faculty. Effective Spring 1999.
374. Ceramic Surface and Color (3) [Rpt./ 1] II Surface possibilities and color interactions specific to ceramic fired techniques investigated by making class test tiles, relief pieces, and simple forms on which to conduct experiments with slips, engobes, stains, and glazes. Emphasis on creative explanation of ceramic materials such as commercial ceramic pigments, metallic oxides, fluxes, clays, organic additives, and diverse firing methods. P, ART 273. Fee. Field trip. Delete course. Effective Fall 1999.
376. Intermediate Fibers I (3) [Rpt./ 3] I Two-dimensional fiber techniques including 4-harness loom weaving (loom and weaver-controlled weaves) and tapestry weaving (cartoon as well as spontaneous methods). Emphasis on individual interpretation of traditional woven techniques. P, ART 276.
377. Intermediate Fibers II (3) [Rpt./ 3] II Three-dimensional fiber techniques including tubular weaves, wedging, non-loom weaves, coiling, twining, crochet and knotting. Emphasis on the self-supportive fiber form. P, ART 276.
380. Painting II (3) [Rpt./ 2] I II Intermediate course in developing expressive and pictorial skills in oil and/or acrylic media. P, ART 280. Fee.
385. Watercolor Painting II (3) [Rpt./ 2] I II Intermediate course in watercolor methods of expression. Demonstration and critique. P, ART 285. Field trip.
386. Intermediate Sculpture/Experimental and Combined Media (3) [Rpt./2] I II In-depth exploration of the techniques and concepts of experimental and combined media as applied to individual directions. P, ART 287.
387. Intermediate Sculpture/Casting Principles (3) I II In-depth exploration of the media and concepts of sculpture through casting processing. P, ART 287. Fee.
388. Intermediate Sculpture/Metal and Wood Fabrication (3) I II In-depth exploration of the media and concepts of sculpture through metal and wood fabrication processes. P, ART 287. Fee.
389. Intermediate Modeling Emphasizing the Figure (3) I II Intermediate modeling techniques in clay emphasizing the figure. Scale, composition, gesture, surface and anatomical structure will be studied to develop creative solutions. P, ART 104. Fee.
393. Internship (1-6) [Rpt./]
394. Practicum (1-4) [Rpt./]
399. Independent Study (1-5) [Rpt./]
399H. Honors Independent Study (1-3) [Rpt./] I II
401. Drawing: Non-Figurative Approach (3) I II Principles of visual and personal language, expanding the meaning of art. May be convened with ART 501.
405. Figure Drawing III (3) [Rpt./ 5] I II Advanced drawing with emphasis on personal expressive development. P, 6 units of ART 305. Fee.
409. Drawing Critique (3) [Rpt./ 5] I II Individual exploration and development of visual concepts through drawing, accompanied by individual and class critiques. P, 6 units of ART 405.
422. Performance: Live/Photo/Video (3) I II An overview of diverse approaches within performance art in an interdisciplinary context. Combines live performance with video and photography. May be convened with ART 522.
423. New Genre Concept Development (3) [Rpt./ 1] I II Studio course to assist students with defining intentions, refining project ideas and clarifying the content of their art making. Open to students working in any medium. May be convened with ART 523.
441. Advanced Photography (3) [Rpt./ 1] I II Current trends, philosophies and experimentation in still photography. P, ART 341, acceptance of portfolio. Fee. May be convened with ART 541.
444. Advanced Digital Photography (3) [Rpt./ 2] I II Exploration of concepts, theories, ethics, credibility, and practice of electronic digital imaging and its role in the evolution of a body of contemporary photographic inquiry. 2R, 2S. May be convened with ART 544.
446. Experimental Color Photography (3) I II Nontraditional approaches to color photography including the use of black-and-white and color negatives, manipulation of the negative, dyes and paints added to the print. Development of personal vision encouraged. P, ART 341B or ART 341C; ART 241, ART 341A, ART 346, acceptance of portfolio. Fee. May be convened with ART 546.
447. Mixed Media Book (3) [Rpt./ 1] I II Investigation of the book as a format for presenting visual material; the process of making simple books. Contemporary bookmakers will be presented. P, 12 units of upper-division studio art courses. Field trip. May be convened with ART 547.
448. Video For Artists (3) I II Seniors and graduate students utilize small format video camera and editing to extend/amplify concepts that have developed in their artistic inquiry. P, acceptance of portfolio. Field trip. May be convened with ART 548.
449. Advanced Artists' Video (3) [Rpt./ 1] II Students will produce individual video projects with an experimental, self-expressive orientation. There is also an option to combine video with performance or to incorporate it within an installation context. P, ART 349 or M AR 314; acceptance of portfolio. (Identical with M AR 449). May be convened with ART 549.
456. Advanced Printmaking (3) [Rpt./ 2] I II Advanced course in printmaking with emphasis on formal aesthetics and personal expression. P, ART 356. Open to majors only. Fee.
460. Advanced Illustrated Anatomy (3-4) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper-division status, acceptance of portfolio. Fee.
464. Packaging Design (3) [Rpt./ 1] II Retail packaging, point-of-purchase displays, and lines of related products, with emphasis on graphic treatment, logotype design, and three-dimensional structure. P, acceptance of portfolio, 9 units of graphic design courses. Fee. Field trip.
465. Graphic Design Studio (3) [Rpt./ 1] I Classroom experience in a professional designer capacity with studio solutions to graphic design problems submitted from campus and community. P, consent of department, 9 units of graphic design courses, acceptance of portfolio. Fee. Field trip. May be convened with ART 565.
466. Editorial Illustration (3) [Rpt./ 1] I Problems in editorial and book illustration. P, acceptance of portfolio, 9 units of illustration courses. Fee. May be convened with ART 566.
467. Experimental Illustration (3) [Rpt./ 2] II Experimentation, interpretation and problem-solving through illustration. P, ART 368, ART 369, acceptance of portfolio. Fee. Field trip.
469. Portfolio Preparation (3) [Rpt./ 1] II Final approach to completion of portfolio. Student's portfolio is critiqued in areas of order, style, and d egree of presentation to bring it to a professional level. P, acceptance of portfolio, 9 units of graphic design courses. Fee. May be convened with ART 569.
473. Advanced Practices in Ceramics (3) I II Individual studio research and instruction with emphasis on personal creative development. P, ART 473, acceptance of portfolio. Fee. May be convened with ART 573.
474. Ceramic Surface and Color (3) [Rpt./ 1] II Higher sophistication and complex investigation of surface possibilities and color interactions specific to ceramic fired techniques by making class test tiles, relief pieces, and simple and complex forms on which to conduct experiments with slips, engobes, stains, and glazes. Emphasis on experimentation and creative explanation of ceramic materials; commercial ceramic pigments, metallic oxides, fluxes, clays and organic additives, and diverse firing methods. Students will be required to write a paper on surface and color related to the use of ceramics. Sketchbook required. P, ART 373, acceptance of portfolio or consent of instructor. Fee. Field trip. May be convened with ART 574. Change course description, co-convene, and prerequisites to: Conduct sophisticated and complex investigations of surface possibilities and color interactions specific to ceramic fired techniques through experiments with slips, englobes, stains and glazes. Emphasis on creative exploration of ceramic and related materials and diverse firing methods. Paper and sketchbook required. P, ART 373 and portfolio or consent of instructor. May be convened with ART 574. Effective Fall 1999.
475. Ceramics Within a Public Art Context (3) [Rpt./ 1] II For students who are interested in exploring original ceramic art work in a public art context. Students will be expected to work both individually and in groups to identify public art sites, research and design public art works, seek approval, make scale drawings and models for the sites, and when feasible complete actual public art works. Includes all aspects of working with clay, visiting artist lectures, field trip, discussions, critiques and sketchbooks. P, ART 373A, ART 373B, acceptance of portfolio, consent of instructor. Fee. Field trip. May be convened with ART 575.
476. Advanced Fibers (3) [Rpt./ 5] I II Individual interpretations of concept into finished fiber works. P, 9 units of fiber courses. May be convened with ART 576.
480. Painting III (3) [Rpt./ 5] I II Advanced painting concepts with emphasis on personal expressive development and change. P, 6 units of ART 380. Fee.
483. Combining Media (3) [Rpt./ 1] I II Individual and group projects, including collages, constructions, image sequences, and elements from other art forms (sound, language, movement, etc.). Fee. May be convened with ART 583.
485. Watercolor Painting III (3) [Rpt./ 5] I II Advanced exploration of a personal expression in watercolor. Demonstration and critique. P, ART 385.
486. Advanced Sculpture/ Experimental and Combined Media (3) I II [Rpt./2] In-depth exploration of personal directions through combining media and experimental sculpture processes. P, ART 387. Fee.
487. Advanced Sculpture/Casting Principles (3) [Rpt./2] I II An in-depth exploration of the techniques and concepts of casting. Advanced process of mold making as applied to individual directions. P, ART 387. Fee.
488. Advanced Sculpture/ Metal and Wood Fabrication (3) I II [Rpt./2] An in-depth exploration of advanced processes and concepts of sculpture through metal and wood fabrication. P, ART 387. Fee.
489. Advanced Modeling with Emphasis on the Figure (3) [Rpt./ 3] Advanced modeling techniques in clay and casting wax emphasizing figure modeling. Work primarily from the model, perfecting modeling techniques, utilizing figure proportions, muscle and skeletal structures, gesture, texture, scale, and compositi on in creating sculptural ideas. P, ART 101, ART 102, ART 104, ART 287, ART 289, ART 389. Fee. May be convened with ART 589.
493. Internship (1-6) [Rpt./]
494. Practicum (1-4) [Rpt./]
496. Seminar
a. Senior Seminar for Artists (3)
f. Critical Issues in Design (3) I P, senior or graduate standing, acceptance of portfolio, consent of instructor. May be convened with ART 596F.
j. Writing Art Criticism (3) I Field trip. May be convened with ART 596J.
497. Workshop
a. Gallery Management (1-3) I II P, 12 units of studio or art history. May be convened with ART 597A.
b. Professional Experiences in Art (3) P, 12 units of studio or art history. May be convened with ART 597B.
498. Senior Capstone (1-3) I II
498H. Honors Thesis (3) [Rpt./ 2]
499. Independent Study (1-5) [Rpt./]
499H. Honors Independent Study (3) [Rpt./]
501. Drawing: Non-Figurative Approach (3) I II GRD For a description of course topics see ART 401. Graduate-level requirements include additional arrangements with emphasis on research and personal direction. P, ART 305. May be convened with ART 401.
505. Graduate Figure Drawing (3) [Rpt./ 5] I II Special problems in drawing, using the classroom model and outside sources as references for personal expression. Fee.
509. Graduate Drawing Critique (3) [Rpt./ 5] I II Individual exploration in drawing media and visual concepts. Classroom and individual critiques.
522. Performance: Live/Photo/Video (3) I II For a description of course topics see ART 422. Graduate students are required to produce projects which are qualitatively superior in terms of form, concept and technique. May be convened with ART 422.
523. New Genre Concept Development (3) [Rpt./ 1] I II For a description of course topics see ART 423. Graduate students are required to produce projects which are qualitatively superior in terms of form, concept and technique. May be convened with ART 423.
541. Advanced Photography (3) [Rpt./ 1] I II For a description of course topics see ART 441. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. May be convened with ART 441.
544. Advanced Digital Photography (3) [Rpt./ 2] I II For a description of course topics see ART 444. Graduate-level requirements include extra papers, research projects and assuming leadership roles in discussions and critiques and meeting with the instructor prior to presentations regarding the issues they plan to cover. May be convened with ART 444.
546. Experimental Color Photography (3) [Rpt./ 1] I II For a description of course topics see ART 446. Graduate-level requirements include more rigorous grading and expectation. May be convened with ART 446.
547. Mixed Media Book (3) [Rpt./ 1] I II For a description of course topics see ART 447. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. May be convened with ART 447.
548. Video For Artists (3) I II For a description of course topics see ART 448. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. May be convened with ART 448.
549. Advanced Artists' Video (3) II For a description of course topics see ART 449. Graduate-level requirements include projects that demonstrate conceptual and technical accomplishment. May be convened with ART 449.
550. Graduate Relief Printmaking (3) I II Relief printmaking with emphasis on individual research, personal direction and professional standards. Fee.
551. Graduate Intaglio (3) I II Intaglio printmaking with emphasis on individual research, personal direction and professional standards. Fee.
553. Graduate Alternative Methods in Printmaking (3) I II Nontraditional approaches to printmaking with emphasis on individual research, personal direction and professional standards. Fee.
555. Graduate Lithography (3) I II Lithography with emphasis on individual research, personal aesthetic, and professional standards. Fee.
560. Advanced Illustrated Anatomy (3) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper-division status, acceptance of portfolio. Fee.
565. Graduate Graphic Design Problems (3) [Rpt./ 1] I II For a description of course topics see ART 465. Two- and three-dimensional design considerations with emphasis on conceptualization and presentation. 6S. P, acceptance of portfolio. Fee. Field trip. May be convened with ART 465.
566. Editorial Illustration (3) [Rpt./ 1] I For a description of course topics see ART 466. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. Fee. May be convened with ART 466.
567. Graduate Illustration (3) [Rpt./ 1] I II Exploration of any optical material or phenomenon as a possible solution to illustration problems. P, ART 466, acceptance of portfolio. Fee.
569. Portfolio Preparation (3) [Rpt./ 1] II For a description of course topics see ART 469. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. Fee. May be convened with ART 469.
573. Advanced Practices in Ceramics (3) I II For a description of course topics see ART 473. Graduate-level requirements include an in-depth studio research project. Fee. May be convened with ART 473.
574. Ceramic Surface and Color (3) [Rpt./ 1] II For a description of course topics see ART 474. Graduate-level investigation of surface possibilities and color interactions specific to ceramic fired techniques by making class test tile, relief pieces, and simple and complex forms on which to conduct experiments with slips, engobes, stains, and glazes. Emphasis on experimentation and creative exploration of ceramic materials; commercial ceramic pigments, metallic oxides, flues, clays and organic additives and diverse firing methods. Students will be required to write a paper on surface and color related to the use of ceramics. Sketchbook required. Fee. Field trip. May be convened with ART 474. Change course description, co-convene, and prerequisites to: Graduate level investigations of surface possibilities and color interactions specific to ceramic fired techniques through experiments with slips, englobes, stains and glazes. Emphasis on creative exploration of ceramic and related materials, and diverse firing methods. Paper and sketchbook required and one additional project. P, ART 373 and portfolio or consent of instructor. May be convened with ART 474. Effective Fall 1999.
575. Ceramics Within a Public Art Context (3) [Rpt./ 1] II For a description of course topics see ART 475. Graduate-level requirements include one more public art proposal or intern in a ceramic public art project. A higher level of professionalism and sophistication will be expected. Fee. Field trip. May be convened with ART 475.
576. Advanced Fibers (3) [Rpt./ 5] I II For a description of course topics see ART 476. Graduate-level requirements include an in-depth studio research project. May be convened with ART 476.
578. Graduate Two-Dimensional Fiber Technique (3) I Advanced fiber technique course for graduate students who wish to develop further their strengths in special technical areas. Stresses two-dimensional work.
579. Graduate Three-Dimensional Fiber Technique (3) II Advanced fiber technique course for graduate students who wish to develop further their strengths in special technical areas. Stresses three-dimensional work.
580. Graduate Painting (3) [Rpt./ 5] I II Graduate study in painting with an emphasis on the development of a personal imagery and body of work. Fee.
583. Combining Media (3) [Rpt./ 1] I II For a description of course topics see ART 483. Graduate-level requirements include an in-depth studio research project. Fee. May be convened with ART 483.
585. Graduate Watercolor Painting (3) [Rpt./ 5] I II High level experimentation in personal expression with watercolor and related media. Demonstration and critique.
586. Sculpture Materials/Experimental and Combined Media (3) [Rpt./ 2] I II In-depth advanced-level exploration of concepts, processes and personal direction through combining media and experimental sculpture processes. 6S. Fee.
587. Sculpture/Casting Materials (3) [Rpt./ 2] I II An in-depth exploration of the techniques and concepts of casting. Advanced process of mold making as applied to individual directions. 6S. Fee.
588. Sculpture Materials/ Metal and Wood Fabrication (3) [Rpt./ 2] I II An in-depth exploration of advanced processes and concepts of sculpture through metal and wood fabrication. 6S. Fee.
589. Advanced Modeling with Emphasis on the Figure (3) [Rpt./ 3] For a description of course topics see ART 489. Graduate-level requirements include work which exemplifies graduate-level, knowledge, background, and skills. Life-size figures for the final project also required. Fee. May be convened with ART 489.
591. Preceptorship (1-5) [Rpt./] I II
593. Internship (1-6) [Rpt./]
596. Seminar
f. Critical Issues in Design (3) [Rpt./ 6 units] II For a description of course topics see ART 496F. May be convened with ART 496F.
j. Writing Art Criticism (3) [Rpt./ 6 units] I For a description of course topics see ART 496J. Field trip. May be convened with ART 496J.
s. 3-D Concepts (3) [Rpt./ 3] II
597. Workshop
a. Gallery Management (1-3) I II For a description of course topics see ART 497A. May be convened with ART 497A.
b. Professional Experiences in Art (3) For a description of course topics see ART 497B. May be convened with ART 497B.
599. Independent Study (1-5) [Rpt./]
600. Painting Concepts (3) [Rpt./ 2] I II Presentation of one's painting concepts and the concepts of others, citing parallel influences, research, related ideas and implications for highly concentrated student and faculty discussion.
642. Studio Photography Critique (3) [Rpt./ 5] I II Investigation of practical methods of critique and their influence on an artist's developing body of work. Limited to art majors with photography concentration.
656. Graduate Printmaking (3) [Rpt./ 5] I II Printmaking with emphasis on aesthetics, conceptualization, technical competency, artistic literacy, and personal direction. P, consent of department. Fee.
673. Graduate Studio in Ceramics (3-10) [Rpt./ 70 units] Studio research and instruction with emphasis on personal creative development. 12-20S. P, ART 473. Fee. Field trip.
676. Graduate Fiber Studies (6-10) [Rpt./ 70 units] I II Graduate experimentation in all aspects of fiber work, with emphasis on the development of a personal style within the medium. 12-20S.
680. Graduate Studio (3-10) [Rpt./ 70 units] I II P, 12 units of graduate credit in art.
687. Graduate Problems in Sculpture (3) [Rpt./ 4] I II Emphasis on aesthetics, conceptualization, technical competency, artistic literacy, and personal direction. P, consent of department. Fee.
691. Preceptorship (1-5) [Rpt./] I II
693. Internship (1-6) [Rpt./]
694. Practicum (1-4) [Rpt./]
699. Independent Study (1-5) [Rpt./]
791. Preceptorship (1-5) [Rpt./] I II
900. Research (1-4) [Rpt./]
909. Master's Report (1-5) [Rpt./]
910. Thesis (1-6) [Rpt./]
930. Supplementary Registration (1-9) [Rpt./]