Art, Courses Summer 2000

Summer 2000 Course Descriptions
Key to Course Descriptions

Courses listed below are approved UA courses as of Summer 2000. Not all approved courses will be offered during this term. For course offerings/availability during a specific term, see the Schedule of Classes. Each course number below links to the Schedule of Classes.

Art (ART ) Dept Info - College Info

ART 101 Drawing (3) Visual perception and the principles of composition presented through various drawing problems and materials.

ART 102 Color and Design (3) Elements and principles of two-dimensional composition, with emphasis on color mixing, interaction and control. Fees.

ART 104 Three-Dimensional Design (3) I II Study of volume, mass, and space relationships through modeling, casting, carving, and construction. P, none. Fees.

ART 203 Survey of Contemporary Studio Art (3) I II S Presents an overview of Art Department offerings in studio art and the history and theory of contemporary visual arts practices. Examines links between the arts, pop culture, and society at large. Approved as Tier Two - Arts.

ART 205 Figure Drawing (3) I II Drawing from the model and other subjects to develop pictorial and perceptual skills. P, ART 101. Fees.

ART 223 New Genre I (3) I II Video used creatively to work through ideas in an improvisational manner. In-class, collaborative projects combine video with creative writing, performance art and audio experiments.

ART 241 Beginning Photography (3) [Rpt./ 2] I II Principles of photographic processes, aesthetics, theory, and criticism. Fees. 2R, 2S. Field Trips. (Identical with M AR 241).

ART 250 Relief Printmaking (3) I II Introductory course in the fundamental techniques and aesthetics of relief printmaking. P, ART 101, ART 102. Fees.

ART 251 Intaglio (3) I II Introductory course in the fundamental techniques and aesthetics of intaglio printmaking with emphasis on etching. P, ART 101, ART 102, or consent of department. Fees.

ART 253 Alternative Methods in Printmaking I (3) I II Introductory course in the nontraditional approaches to printmaking. Monotype, industrial techniques, and handmade paper. P, ART 101, ART 102, or consent of department. Fees.

ART 255 Lithography I (3) I II Introductory course in the fundamental techniques and aesthetics of black and white, and color lithography. Stone and metal plate processes are covered. P, ART 101, ART 102, or consent of department. Fees.

ART 260 Beginning Illustrated Anatomy (3) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, portfolio. Fees.

ART 261 Computer Graphics (3) I II Integration of visual design principles with 2-D computer graphic applications. P, ART 265 or CR, ART 261. Fees.

ART 265 Beginning Graphic Design (3) I II Introductory study of principles, tools, and techniques of advertising layout. P, ART 101, ART 102.

ART 266 Beginning Illustration (3) I II Exploration of techniques, styles and media for illustration. P, ART 102; P or CR, ART 205. Fees.

ART 273 Beginning Art Practices in Ceramics (3) I II Introduction to clay as a fine art medium with main emphasis on historical and contemporary ceramics and art as sources of inspiration. Basic process of hand building, surface treatments, kiln firing, and wheel-throwing basics. Critiques, readings, lectures, tests on ceramic terminology and safety. Some writing required. Sketchbook, textbook. 2R, 4S. P, ART 101, ART 104 or consent of ceramic faculty. Fees.

ART 276 Beginning Fibers (3) I II Structural development of fibers into woven forms, using the frame loom; fiber as a fine arts medium.

ART 280 Painting I (3) I II Elementary course in the methods and techniques of painting with oils and/or acrylics. Field Trips. P, ART 101, ART 102, ART 205. Fees.

ART 285 Watercolor Painting I (3) I II Introductory course in watercolor painting exploring basic materials and techniques. Field Trips.

ART 287 Beginning Sculpture (3) I II Introduction to fundamentals of sculpture process through carving, fabrication and casting, to develop personal approaches to dimensional composition. P, ART 104. Fees.

ART 289 Beginning Modeling Emphasizing the Figure (3) I II Beginning modeling techniques in clay emphasizing the figure. Scale, composition, gesture, surface and anatomical structure will be studied to develop creative solutions. P, ART 104. Fees.

ART 299 Independent Study (3) [Rpt./]

ART 299H Honors Independent Study (3) [Rpt./]

ART 301 Drawing: Non-Figurative Approach (3) I II GRD Principles of visual and personal language, expanding the meaning of drawing, drawing materials, methods, and approaches. P, ART 305. Fees.

ART 305 Figure Drawing II (3) [Rpt./ 2] I II Intermediate course in drawing problems using the model. P, ART 205. Fees.

ART 312 Video Art in America (3) II (Identical with M AR 312, which is home).

ART 322 New Genre Studio and Therapy (3) II Exploration of a range of contemporary art practice and theory. Projects in a variety of media including performance, installation, and in-class video work.

ART 329 Art History of the Cinema (3) I (Identical with CLAS 329, which is home).

ART 340 Photography Since 1950 (3) I Slide presentations and discussions of major photographers since 1950.

ART 341A Intermediate Photography (3) I II Principles and processes of photography. Introduction for artists to the principles and nature of black-and-white documentary photography. Principles and processes of photography. Creating untrue narratives, students are challenged to deconstruct the familiar photo essay and create new ways of telling stories. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fees.

ART 341B Intermediate Photography (3) I II Principles and processes of photography. Introduction for artists to the principles and nature of black-and-white documentary photography. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fees.

ART 341C Intermediate Photography (3) I II Principles and processes of photography. Introduction to principles of synchronized color slide-audio tape production for artists. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fees.

ART 341D Intermediate Photography (3) Principles and processes of photography. Methods to alter the meaning and surface of the photograph. Painting, sculpture, and any other forms that might alter, disfigure or reinvent the concept of photo. P, ART 241, acceptance of portfolio. ART 341A is not prerequisite to ART 341B, etc. Fees.

ART 341E Intermediate Photography: the Self Portrait (3) [Rpt./ 6 units] I II Explores a variety of approaches and modes of the photographic self portrait as an expressive process. P, acceptance of portfolio. Fees.

ART 343A Photographic Techniques (3) I The fundamentals of black and white photography, exposure and development control, printing and lighting. P, photography majors or consent of instructor. ART 343A is not prerequisite to ART 343B. Fees.

ART 343B Photographic Techniques (3) II Manipulation and extension of boundaries of traditional photography using polarization, appropriation, montage, toning and bleaching. P, ART 241. ART 343A is not prerequisite to ART 343B. Fees.

ART 344 Digital Photography (3) [Rpt./ 2] I II Explores concepts, theories, ethics, credibility, and practice of electronic digital imaging and its role in the evolution of a body of contemporary photographic inquiry. P, 9 units upper-division photography. Fees.

ART 345 Photographic Processes (3) [Rpt./ 9 units] II S Mural and photo installation methods using a combined media methodology. P, ART 341, acceptance of portfolio. Fees.

ART 346 Color Photography (3) [Rpt./ 2] I II Exploring conceptual and practical aspects of color picture-making with an emphasis on darkroom skills and the development of personal imagery. P, ART 341, acceptance of portfolio. Fees.

ART 349 Intermediate Artists' Video (3) I Students will produce individual projects using video as a creative, self-expressive tool. The class will take an exploratory approach to experimental, fictional and documentary genres. (Identical with M AR 349).

ART 350 Relief Printmaking II (3) I II Intermediate course in the techniques and aesthetics of relief printmaking. Continuation of ART 250. P, ART 250. Fees.

ART 351 Intaglio II (3) I II Intermediate course in techniques and aesthetics of intaglio printmaking. Continuation of ART 251. P, ART 251. Fees.

ART 353 Alternative Methods in Printmaking II (3) I II Intermediate course in the nontraditional approaches to printmaking. Continuation of ART 253. P, ART 253. Fees.

ART 355 Lithography II (3) I II Intermediate course in stone and metal plate lithography. Continuation of ART 255. P, ART 255. Fees.

ART 356 Intermediate Printmaking (3) [Rpt./ 6 units] I II Intermediate course in printmaking with emphasis on format aesthetics and personal expression. P, ART 253 or ART 255; ART 250, ART 251. Fees.

ART 360 Intermediate Illustrated Anatomy (3) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper division status and acceptance of portfolio. Fees.

ART 361 Computer Graphics II (3) [Rpt./ 6 units] I II Intermediate level technology applied to graphic design, illustration, as well as other aspects of visual communication. P, ART 261 or equivalent, acceptance of portfolio.

ART 363 Typography (3) I II GRD The study of letterforms and their appropriate and effective use in visual communications from a historic as well as from a contemporary perspective. P, ART 261, ART 265, acceptance of portfolio. Fees.

ART 364 Production Problems in Graphic Design (3) [Rpt./ 1] I II Preparation of visual material for reproduction by various printing processes. P, ART 261, ART 265, ART 266, acceptance of portfolio. Fees.

ART 365 Intermediate Graphic Design (3) [Rpt./ 1] I II Further exploration of design as a communications tool. Solutions to realistic promotional programs are executed from rough to comprehensive stage. P, ART 102, ART 205, ART 261, ART 265, acceptance of portfolio. Fees.

ART 366 Rendering Techniques (3) [Rpt./ 1] I Drawing and rendering techniques with various media in the creation of editorial and advertising illustration. P, ART 265, ART 266, acceptance of portfolio. Fees.

ART 367 Advertising Illustration (3) [Rpt./ 1] II P, ART 266, ART 265, acceptance of portfolio.

ART 368 Figure Illustration I (3) [Rpt./ 1] I Study of constructive anatomy and basic drawing principles as a means to realistic and expressive depiction of the human form. 2R, 2S. P, ART 101. Fees.

ART 373A Art Practices in Handbuilding (3) [Rpt./ 15 units] I II Continuation of clay as a fine art medium with major emphasis on contemporary ceramics and art as sources of inspiration and on in-depth development of handbuilding, surface treatment, and kiln firing techniques, with minor emphasis on wheel throwing and historical ceramics; studio problems in clay and glaze formulation; critiques, readings, lectures, and tests on ceramic terminology, technology, and safety; some writing required. Sketchbook. Textbook. 2R, 4S. P, ART 273 or consent of ceramic faculty. Fees.

ART 373B Art Practices in Wheel Throwing (3) [Rpt./ 15 units] I II Continuation of clay as a fine art medium with major emphasis on contemporary ceramics and art as sources of inspiration and on in-depth development of wheelthrowing, surface treatment, and kiln firing techniques with minor emphasis on handbuilding and historical ceramics; studio problems in clay and glaze formulation; critiques; readings, lectures, and tests on ceramic terminology, technology and safety; some writing required. Sketchbook. Textbook. 3R, 4S. P, ART 273 or consent of ceramic faculty. Fees.

ART 376 Intermediate Fibers I (3) [Rpt./ 3] I Two-dimensional fiber techniques including 4-harness loom weaving (loom and weaver-controlled weaves) and tapestry weaving (cartoon as well as spontaneous methods). Emphasis on individual interpretation of traditional woven techniques.

ART 377 Intermediate Fibers II (3) [Rpt./ 3] II Three-dimensional fiber techniques including tubular weaves, wedging, non-loom weaves, coiling, twining, crochet and knotting. Emphasis on the self-supportive fiber form.

ART 380 Painting II (3) [Rpt./ 2] I II Intermediate course in developing expressive and pictorial skills in oil and/or acrylic media. P, ART 280. Fees.

ART 385 Watercolor Painting II (3) [Rpt./ 2] I II Intermediate course in watercolor methods of expression. Demonstration and critique. Field Trips.

ART 386 Intermediate Sculpture/Experimental and Combined Media (3) I II In-depth exploration of the techniques and concepts of experimental and combined media as applied to individual directions. P, ART 287. Fees.

ART 387 Intermediate Sculpture/Casting Principles (3) I II In-depth exploration of the media and concepts of sculpture through casting processing. P, ART 287. Fees.

ART 388 Intermediate Sculpture/Metal and Wood Fabrication (3) I II In-depth exploration of the media and concepts of sculpture through metal and wood fabrication processes. P, ART 287. Fees.

ART 389 Intermediate Modeling Emphasizing the Figure (3) I II Intermediate modeling techniques in clay emphasizing the figure. Scale, composition, gesture, surface and anatomical structure will be studied to develop creative solutions. P, ART 104. Fees.

ART 393 Internship (1-6) [Rpt./]

ART 394 Practicum (1-4) [Rpt./]

ART 399 Independent Study (1-5) [Rpt./]

ART 399H Honors Independent Study (1-3) [Rpt./] I II

ART 401 Drawing: Non-Figurative Approach (3) I II Fees. May be convened with ART 501.

ART 405 Figure Drawing III (3) [Rpt./ 5] I II Advanced drawing with emphasis on personal expressive development. P, 6 units of ART 305. Fees.

ART 409 Drawing Critique (3) [Rpt./ 5] I II Individual exploration and development of visual concepts through drawing, accompanied by individual and class critiques.

ART 422 Performance: Live/Photo/Video (3) I II An overview of diverse approaches within performance art in an interdisciplinary context. Combines live performance with video and photography. May be convened with ART 522.

ART 423 New Genre Concept Development (3) [Rpt./ 1] I II Studio course to assist students with defining intentions, refining project ideas and clarifying the content of their artmaking. Open to students working in any medium. May be convened with ART 523.

ART 440 Photo Since 1950 (3) I II This course examines photographic representation and imagemakers as well as the larger cultural implications of images in the media and popular culture since 1950. 2R, 2S. May be convened with ART 540.

ART 441 Advanced Photography (3) [Rpt./ 1] I II Current trends, philosophies and experimentation in still photography. P, ART 341, acceptance of portfolio. Fees. May be convened with ART 541.

ART 444 Advanced Digital Photography (3) [Rpt./ 2] I II Exploration of concepts, theories, ethics, credibility, and practice of electronic digital imaging and its role in the evolution of a body of contemporary photographic inquiry. 2R, 2S. P, none. Fees. May be convened with ART 544.

ART 446 Experimental Color Photography (3) [Rpt./ 6 units] I II Nontraditional approaches to color photography including the use of black-and-white and color negatives, manipulation of the negative, dyes and paints added to the print. Development of personal vision encouraged. P, ART 341B or ART 341C; ART 241, ART 341A, ART 346, acceptance of portfolio. Fees. May be convened with ART 546.

ART 447 Mixed Media Book (3) [Rpt./ 1] I II Investigation of the book as a format for presenting visual material; the process of making simple books. Contemporary bookmakers will be presented. Field Trips. P, 12 units of upper-division studio art courses. May be convened with ART 547.

ART 448 Video For Artists (3) I II Seniors and graduate students utilize small format video camera and editing to extend/amplify concepts that have developed in their artistic inquiry. May be convened with ART 548.

ART 449 Advanced Artists' Video (3) [Rpt./ 1] II Students will produce individual video projects with an experimental, self-expressive orientation. There is also an option to combine video with performance or to incorporate it within an installation context. (Identical with M AR 449). May be convened with ART 549.

ART 450 Advanced Relief Printmaking (3) [Rpt./ 4] I II This is the advanced class in the Relief sequence of printmaking courses. It is for the undergraduate seniors. The purpose of the course is to develop a student's personal direction, aesthetic literacy, and technical proficiency in Relief. P, ART 350 or consent of instructor. Fees.

ART 451 Advanced Intaglio Printmaking (3) [Rpt./ 4] I II Studio course to develop personal direction, aesthetic literacy and technical proficiency in Intaglio printmaking, singularly or in combination with other media. P, ART 351 or consent of instructor. Fees.

ART 453 Advanced Alternative Printmaking (3) [Rpt./ 4] I II Develop personal direction, aesthetic literacy and technical proficiency in alternative methods of printmaking, singularly or in combination with other media. P, ART 353 or consent of instructor. Fees.

ART 455 Advanced Lithography (3) [Rpt./ 4] I II Develop Personal direction, aesthetic literacy and technical proficiency in lithography, singularly or in combination with other media. P, ART 355 or consent of instructor. Fees.

ART 456 Advanced Printmaking (3) [Rpt./ 2] I II Advanced course in printmaking with emphasis on formal aesthetics and personal expression. P, ART 356. Open to majors only. Fees.

ART 460 Advanced Illustrated Anatomy (3) [Rpt./ 3] S Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper-division status, acceptance of portfolio. Fees. May be convened with ART 560.

ART 461 Advanced Computer Graphics (3) An advanced course in electronic imaging utilizing the computer to create both still and moving images and exploring interactivity in visual communication and personal expression. Studio projects include electronic imagining, refine skills, and exploring the possibilities of digital video, animation, interactivity, and time-based presentations. 3R, 3S. P, ART 261, ART 265.

ART 464 Packaging Design (3) [Rpt./ 1] II Retail packaging, point-of-purchase displays, and lines of related products, with emphasis on graphic treatment, logotype design, and three-dimensional structure. P, acceptance of portfolio, 9 units of graphic design courses. Fees.

ART 465 Graphic Design Studio (3) [Rpt./ 1] I Classroom experience in a professional designer capacity with studio solutions to graphic design problems submitted from campus and community. Field Trips. P, consent of department, 9 units of graphic design courses, acceptance of portfolio. Fees.

ART 466 Editorial Illustration (3) [Rpt./ 1] I Problems in editorial and book illustration. P, acceptance of portfolio, 9 units of illustration courses. Fees. May be convened with ART 566.

ART 467 Experimental Illustration (3) [Rpt./ 2] II Experimentation, interpretation and problem-solving through illustration. P, ART 368, ART 369, acceptance of portfolio. Fees.

ART 469 Portfolio Preparation (3) [Rpt./ 1] II Final approach to completion of portfolio. Student's portfolio is critiqued in areas of order, style, and degree of presentation to bring it to a professional level. P, acceptance of portfolio, 9 units of graphic design courses. Fees. May be convened with ART 569.

ART 473 Advanced Practices in Ceramics (3) [Rpt./ 18 units] I II Individual studio research and instruction with emphasis on personal creative development. P, ART 473, acceptance of portfolio. Fees. May be convened with ART 573.

ART 474 Ceramic Surface and Color (3) [Rpt./ 1] II Conduct sophisticated and complex investigations of surface possibilities and color interactions specific to ceramic fired techniques through experiments with slips, englobes, stains and glazes. Emphasis on creative exploration of ceramic and related materials and diverse firing methods. Paper and sketchbook required. Field Trips. P, ART 373 and acceptance of portfolio or consent of instructor. Fees. May be convened with ART 574.

ART 475 Ceramics Within a Public Art Context (3) [Rpt./ 1] II For students who are interested in exploring original ceramic art work in a public art context. Students will be expected to work both individually and in groups to identify public art sites, research and design public art works, seek approval, make scale drawings and models for the sites, and when feasible complete actual public art works. Includes all aspects of working with clay, visiting artist lectures, field trips, discussions, critiques and sketchbooks. Field Trips. P, ART 373A, ART 373B, acceptance of portfolio, consent of instructor. Fees. May be convened with ART 575.

ART 476 Advanced Fibers (3) [Rpt./ 5] I II Individual interpretations of concept into finished fiber works. P, 9 units of fiber courses. May be convened with ART 576.

ART 480 Painting III (3) [Rpt./ 5] I II Advanced painting concepts with emphasis on personal expressive development and change. P, 6 units of ART 380. Fees.

ART 483 Combining Media (3) [Rpt./ 1] I II Individual and group projects, including collages, constructions, image sequences, and elements from other art forms (sound, language, movement, etc.). Fees. May be convened with ART 583.

ART 485 Watercolor Painting III (3) [Rpt./ 5] I II Advanced exploration of a personal expression in watercolor. Demonstration and critique.

ART 486 Advanced Sculpture/ Experimental and Combined Media (3) I II In-depth exploration of personal directions through combining media and experimental sculpture processes. P, ART 387. Fees. May be convened with ART 586.

ART 487 Advanced Sculpture/Casting Principles (3) I II An in-depth exploration of the techniques and concepts of casting. Advanced process of mold making as applied to individual directions. P, ART 387. Fees. May be convened with ART 587.

ART 488 Advanced Sculpture/ Metal and Wood Fabrication (3) [Rpt./ 9 units] I II An in-depth exploration of advanced processes and concepts of sculpture through metal and wood fabrication. P, ART 387. Fees. May be convened with ART 588.

ART 489 Advanced Modeling with Emphasis on the Figure (3) [Rpt./ 3] Advanced modeling techniques in clay and casting wax emphasizing figure modeling. Work primarily from the model, perfecting modeling techniques, utilizing figure proportions, muscle and skeletal structures, gesture, texture, scale, and composition in creating sculptural ideas. P, ART 101, ART 102, ART 104, ART 287, ART 289, ART 389. Fees. May be convened with ART 589.

ART 493 Internship (1-6) [Rpt./]

ART 494 Practicum (1-4) [Rpt./]

ART 496A Senior Seminar for Artists (3)

ART 496F Critical Issues in Design (3) [Rpt./ 6 units] I May be convened with ART 596F.

ART 496J Writing Art Criticism (3) [Rpt./ 6 units] I Field Trips. May be convened with ART 596J.

ART 497A Gallery Management (1-3) [Rpt./ 6 units] I II

ART 497B Professional Experiences in Art (3) [Rpt./ 9 units] P, 12 units of studio or art history. May be convened with ART 597B.

ART 498 Senior Capstone (1-3) I II

ART 498H Honors Thesis (3) [Rpt./ 2]

ART 499 Independent Study (1-5) [Rpt./]

ART 499H Honors Independent Study (3) [Rpt./]

ART 501 Drawing: Non-Figurative Approach (3) I II For a description of course topics see ART 401. Graduate-level requirements include additional arrangements with emphasis on research and personal direction. Fees. May be convened with ART 401.

ART 505 Graduate Figure Drawing (3) [Rpt./ 5] I II Special problems in drawing, using the classroom model and outside sources as references for personal expression. Fees.

ART 509 Graduate Drawing Critique (3) [Rpt./ 5] I II Individual exploration in drawing media and visual concepts. Classroom and individual critiques.

ART 522 Performance: Live/Photo/Video (3) I II For a description of course topics see ART 422. Graduate students are required to produce projects which are qualitatively superior in terms of form, concept and technique. May be convened with ART 422.

ART 523 New Genre Concept Development (3) [Rpt./ 1] I II For a description of course topics see ART 423. Graduate students are required to produce projects which are qualitatively superior in terms of form, concept and technique. May be convened with ART 423.

ART 540 Photo Since 1950 (3) I II For a description of course topics see ART 440. Graduate-level requirements include leading group research projects and writing longer, more heavily researched papers. 2R, 2S. May be convened with ART 440.

ART 541 Advanced Photography (3) [Rpt./ 1] I II For a description of course topics see ART 441. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. P, none. Fees. May be convened with ART 441.

ART 544 Advanced Digital Photography (3) [Rpt./ 2] I II For a description of course topics see ART 444. 2R, 2S. P, none. Fees. May be convened with ART 444.

ART 546 Experimental Color Photography (3) [Rpt./ 1] I II For a description of course topics see ART 446. Graduate-level requirements include more rigorous grading and expectation. P, none. Fees. May be convened with ART 446.

ART 547 Mixed Media Book (3) [Rpt./ 1] I II For a description of course topics see ART 447. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. May be convened with ART 447.

ART 548 Video For Artists (3) I II For a description of course topics see ART 448. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. May be convened with ART 448.

ART 549 Advanced Artists' Video (3) [Rpt./ 6 units] II For a description of course topics see ART 449. Graduate-level requirements include projects that demonstrate conceptual and technical accomplishment. May be convened with ART 449.

ART 550 Graduate Relief Printmaking (3) I II Relief printmaking with emphasis on individual research, personal direction and professional standards. P, none. Fees.

ART 551 Graduate Intaglio (3) I II Intaglio printmaking with emphasis on individual research, personal direction and professional standards. P, none. Fees.

ART 553 Graduate Alternative Methods in Printmaking (3) I II Nontraditional approaches to printmaking with emphasis on individual research, personal direction and professional standards. P, none. Fees.

ART 555 Graduate Lithography (3) I II Lithography with emphasis on individual research, personal aesthetic, and professional standards. P, none. Fees.

ART 560 Advanced Illustrated Anatomy (3) [Rpt./ 3] S For a description of course topics see ART 460. Anatomic art studies from cadaver and body parts collection in anatomy lab at the medical center. Drawing from live models and cadavers. P, ART 205, upper-division status, acceptance of portfolio. Fees. May be convened with ART 460.

ART 561 Graduate Advanced Computer Graphics (3) I II S Interactive multi-media and computer graphic technologies explored in visual communication context. Will include historical and theoretical information through project development. 3R, 3S. P, ART 261, ART 265, ART 363.

ART 565 Graduate Graphic Design Problems (3) [Rpt./ 1] I II Two- and three-dimensional design considerations with emphasis on conceptualization and presentation. Field Trips. P, acceptance of portfolio. Fees.

ART 566 Editorial Illustration (3) [Rpt./ 1] I For a description of course topics see ART 466. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. P, none. Fees. May be convened with ART 466.

ART 567 Graduate Illustration (3) [Rpt./ 1] I II Exploration of any optical material or phenomenon as a possible solution to illustration problems. P, ART 466, acceptance of portfolio. Fees.

ART 569 Portfolio Preparation (3) [Rpt./ 1] II For a description of course topics see ART 469. Graduate-level requirements include an in-depth research project on a single aspect of a current scholarly interest. Fees. May be convened with ART 469.

ART 573 Advanced Practices in Ceramics (3) [Rpt./ 18 units] I II For a description of course topics see ART 473. Graduate-level requirements include an in-depth studio research project. Fees. May be convened with ART 473.

ART 574 Ceramic Surface and Color (3) [Rpt./ 1] II For a description of course topics see ART 474. Graduate-level requirements include investigations of surface possibilities and color interactions specific to ceramic fired techniques through experiments with slips, englobes, stains and glazes. Emphasis on creative exploration of ceramic and related materials, and diverse firing methods. Paper and sketchbook required and one additional project. Fees. Field Trips. May be convened with ART 474.

ART 575 Ceramics Within a Public Art Context (3) [Rpt./ 1] II For a description of course topics see ART 475. Graduate-level requirements include one more public art proposal or intern in a ceramic public art project. A higher level of professionalism and sophistication will be expected. Fee. Field Trips. May be convened with ART 475.

ART 576 Advanced Fibers (3) [Rpt./ 5] I II For a description of course topics see ART 476. Graduate-level requirements include an in-depth studio research project. May be convened with ART 476.

ART 578 Graduate Two-Dimensional Fiber Technique (3) I Advanced fiber technique course for graduate students who wish to develop further their strengths in special technical areas. Stresses two-dimensional work.

ART 579 Graduate Three-Dimensional Fiber Technique (3) II Advanced fiber technique course for graduate students who wish to develop further their strengths in special technical areas. Stresses three-dimensional work.

ART 580 Graduate Painting (3) [Rpt./ 5] I II Graduate study in painting with an emphasis on the development of a personal imagery and body of work. P, none. Fees.

ART 583 Combining Media (3) [Rpt./ 1] I II For a description of course topics see ART 483. Graduate-level requirements include an in-depth studio research project. Fees. May be convened with ART 483.

ART 585 Graduate Watercolor Painting (3) [Rpt./ 5] I II High level experimentation in personal expression with watercolor and related media. Demonstration and critique.

ART 586 Sculpture Materials/Experimental and Combined Media (3) I II For a description of course topics see ART 486. In-depth advanced-level exploration of concepts, processes and personal direction through combining media and experimental sculpture processes. Fees. May be convened with ART 486.

ART 587 Sculpture/Casting Materials (3) I II For a description of course topics see ART 487. An in-depth exploration of the techniques and concepts of casting. Advanced process of mold making as applied to individual directions. Fees. May be convened with ART 487.

ART 588 Sculpture Materials/ Metal and Wood Fabrication (3) [Rpt./ 9 units] I II For a description of course topics see ART 488. An in-depth exploration of advanced processes and concepts of sculpture through metal and wood fabrication. P, none. Fees. May be convened with ART 488.

ART 589 Advanced Modeling with Emphasis on the Figure (3) [Rpt./ 3] For a description of course topics see ART 489. Graduate-level requirements include work which exemplifies graduate-level, knowledge, background, and skills. Life-size figures for the final project also required. Fees. May be convened with ART 489.

ART 591 Preceptorship (1-5) [Rpt./] I II

ART 593 Internship (1-6) [Rpt./]

ART 596F Critical Issues in Design (3) [Rpt./ 6 units] II For a description of course topics see ART 496F. May be convened with ART 496F.

ART 596J Writing Art Criticism (3) I For a description of course topics see ART 496J. Field Trips. May be convened with ART 496J.

ART 596S 3-D Concepts (3) [Rpt./ 3] II

ART 597A Gallery Management (1-3) I II

ART 597B Professional Experiences in Art (3) [Rpt./ 9 units] For a description of course topics see ART 497B. May be convened with ART 497B.

ART 599 Independent Study (1-5) [Rpt./]

ART 600 Painting Concepts (3) [Rpt./ 2] I II Presentation of one's painting concepts and the concepts of others, citing parallel influences, research, related ideas and implications for highly concentrated student and faculty discussion.

ART 642 Studio Photography Critique (3) [Rpt./ 5] I II Investigation of practical methods of critique and their influence on an artist's developing body of work. Limited to art majors with photography concentration.

ART 656 Graduate Printmaking (3) [Rpt./ 5] I II Printmaking with emphasis on aesthetics, conceptualization, technical competency, artistic literacy, and personal direction. P, consent of department. Fees.

ART 673 Graduate Studio in Ceramics (3-10) [Rpt./ 30 units] Studio research and instruction with emphasis on personal creative development. Field Trips. P, acceptance in MFA program. Fees.

ART 676 Graduate Fiber Studies (6-10) [Rpt./ 30 units] I II Graduate experimentation in all aspects of fiber work, with emphasis on the development of a personal style within the medium.

ART 680 Graduate Studio (3-10) [Rpt./ 30 units] I II P, 12 units of graduate credit in art.

ART 687 Graduate Problems in Sculpture (3) [Rpt./ 4] I II Emphasis on aesthetics, conceptualization, technical competency, artistic literacy, and personal direction. P, consent of department. Fees.

ART 691 Preceptorship (1-5) [Rpt./] I II

ART 693 Internship (1-6) [Rpt./]

ART 694 Practicum (1-4) [Rpt./]

ART 699 Independent Study (1-5) [Rpt./]

ART 791 Preceptorship (1-5) [Rpt./] I II

ART 900 Research (1-4) [Rpt./]

ART 909 Master's Report (1-5) [Rpt./]

ART 910 Thesis (1-6) [Rpt./]

ART 930 Supplementary Registration (1-9) [Rpt./]

Page last updated: May 20, 2013